On The Palace Steps (Aux marches du palais)

Here is my translation of a famous French folksong/lullaby from the seventeenth century, followed by the original French version (note that in the song each line is repeated twice). The best part of the original lyrics is the surprising last stanza, in which sleep, love and death seem to be subtly conflated. As an aside regarding my accompanying illustration, there appears to be some extreme sexual dimorphism going on between the couple’s feet.

On The Palace Steps

On the palace steps
There’s a would-be bride,

Whom so many love
That she can’t decide.

In the end she chose
A poor cobbler, who

Laid out his claim
As he fit her shoe:

“By your leave, fair maid,
We could share a bed,”

“With a big square frame,
And a linen spread.” Continue reading

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Contemporary and Classic Poetry versus Contemporary and Classic Art

I came across this beautiful and moving English Renaissance morality play, entitled “Francesca’s Folly”, which happens to have been written only a couple of years ago, in Canada, by Tara Kathleen Murphy:

http://www.chestnuthallmusic.com/camerata/Michaelmas/downloads/FrancescasFolly-Libretto.pdf

This led me to reflect on the contemporary use of classic artistic forms and content. Now, to my (admittedly inexpert) eyes there is very little to suggest that this verse drama was not in fact written in the English Renaissance. And if it had been, I feel its quite likely that the opening and closing stanzas in particular (delivered by God, no less!) would be considered amongst the high points of the genre. “From heavy wight to weightless light of heaven’s day.” If this line had been written in the sixteenth century, you can’t tell me scholars wouldn’t be citing it as an instance of the literary genius of the era. Continue reading

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Oh dinosaurs, where are they now the days – A Poem

Oh dinosaurs, where are they now the days
When we lingered together on the terrace of the morning?
I was too young then, alas, to hear your warning
That all that on this Earth draws breath is lost in the past’s haze.

As little real to me as gnomes or faeries,
You stared out, beady-eyed, from the pages of child’s books;
Yet consciousness, however dim, was in those looks
You turned at moonlights, and the long clouds evening carries.

Amidst a world indifferent and rapacious,
You countless hatched, and fought, and suffered all those ages,
So that a child, one day, could flip, in a few pages,
Through your Triassic, Jurassic and Cretaceous.

But yet, even the simplest of children’s books contains
Such truth about you you could never understand;
In sixty million years, perhaps, some other creature’s hand
Will thumb the primer that our own strange lives explains.

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Soir d’hiver by Émile Nelligan

Possibly the most famous lines in the history of Quebec poetry, from Soir d’hiver (c.1898) by Émile Nelligan: “Oh! How the snow’s been snowing!/My window pane is a garden of frost./Oh! How the snow’s been snowing!/What’s the spasm of living/Next to all this pain I have, I have!” nelligan2

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The “Ownanist” Manifesto

An Ownanist Manifesto

By Julian Peters

As a young Republican, I am a strong believer in pulling yourself up by your own efforts, on not relying on handouts from anyone. The hard truth of the matter is that the key to an energetic and vigorous economy is for every man and woman to look out primarily for his or her own private interests, to focus on the pursuit of their own happiness. This approach -one that puts responsibility for an individual’s success squarely in their own hands- I like to call “own-anism”, and I am a firm believer that it is the solution to the deep economic and societal frustrations currently confronting us here in America.

Although I only recently came up with the term ownanism, I feel that it perfectly encapsulates a philosophy by which I have been living my life for a very long time now. Since at least my early adolescence, when I first began to develop my political instincts, I have been an ardent devotee of the ownanist approach. While many of my peers would spend their time smoking illegal narcotics and engaging in irresponsible sexual behavior instead of studying, I would close myself in my room, pull down the shades, and get to work, often continuing into the wee hours of the night. Sure, it could be draining at times, but I came away from those all nighters with a deep sense of satisfaction that comes from a job well done. Best of all, when I achieved success, I knew that I had come by it entirely through my own efforts, that I hadn’t had to count on anyone but myself. This habit of self-reliance came in extremely handy in college as well, and has continued to serve me throughout my adult life. Continue reading

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The Graphic Canon Vol. 2 in stores today!

The second installment of Russ Kick’s epic anthology of the classics of world literature in graphic form hits stores today. The volume is dedicated entirely to the literature of the 1800s, and includes my adaptation of an English translation of Arthur Rimbaud’s “Le bateau ivre” (“The Drunken Boat”). Available in Canada at Indigo and Chapters bookstores, and of course on Amazon.  http://thegraphiccanon.wordpress.com/

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When You Are Old by William Butler Yeats (Manga Style)

Here is my adaptation of Yeats’ 1893 poem, done in the manner of a Japanese manga. The style is a tribute to the beautiful Shojo manga (girls’ comics) created by the “Clamp” collective in the early 90s.

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The Sorrows of Young Werther’s Originals

The Sorrows of Young Werther’s Original™

By Johann Wolfgang von Goethe

(On a grey and frosty December morning of the year 1773, the body of the passionate and idealistic young artist Werther was discovered lying on the floor of his study with a bullet wound to the head. By his side was a pistol, along with a wrapper from a Werther’s Original™ cream candy. He had shot himself in despair over his impossible love for the married Charlotte S. , the daughter of a local estate officer. It is to his beloved Lotte, as she was known to him, that Werther addressed his dramatic and heart-wrenching suicide note, which we transcribe below:)

-Past Eleven O’Clock

All around me is so silent, and my soul is so calm. I thank Thee, God, for granting me this consolatory sweetness in my last moments.

I step to the window, dearest Lotte, and through the tempestuous clouds being driven by I can see, I can still see a few stars of the eternal heaven. Often I have gazed up at the stars, drunk with rapture, and perhaps, as now, sucking on a delicious Werther’s Original candy, the sweetness of which I had come to revere as a sacred symbol of my happiness! But oh, Lotte, what is there that does not remind me of you! In these my final moments, my thoughts are turned entirely to you, to the memories of the happy hours we once spent together.

Also, somewhat incongruously, perhaps, –Who can fathom the workings of a mind on the brink of self-annihilation?- I find myself thinking back to the very first candy given to me by my grandfather: It was Werther’s Original, and I was just a boy. I shall never forget that first taste – sweet and creamy and… just plain good! Continue reading

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Sergio Corazzini – The Death of Tantalus – La morte di Tantalo

Here is my translation of a beautiful Italian poem written in 1907 by Sergio Corazzini. Poor Corazzini died of tuberculosis (what else?) a few weeks after writing this, at the age of only 21. I know it may be a little unclear what exactly he is going on about, but in that respect I think my translation is quite faithful to the original. I am thinking of adapting this poem into comics at some point, either in English or in the original Italian.

The Death of Tantalus

We sat by the edge
Of the fountain in the vineyard of gold.
We sat in silence, weeping.
My sweet friend’s eyelids
Swelled up behind her tears
Like two sails
In a gentle sea breeze. Continue reading

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Painting Intervention: “Trouble in Paradise”

Painting is fun, but I’m generally too lazy to paint a whole painting myself. That’s where painting interventions come in: I’ll buy a paint -by-numbers or a cheap reproduction from a thrift store, and add a personal touch in oils. Here’s one I did today, starting with an idyllic scene of a couple running joyfully through a mountain valley. Credit to Dino Massaroni for the original painting (1989).

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