Here are the twelve drawings that I created to decorate Assurart‘s booth at the most recent edition of Papier (Montreal), Quebec’s largest contemporary art fair. Assurart is an insurance company specializing in art insurance, and my drawings were intended to humourously illustrate the benefits of getting one’s art objects insured. Although the twelve panels were displayed in a long row wrapping around the booth, they were originally drawn on two comics pages of six panels each, as shown here. The storyline is the creation of Colette Mendenhall and Mireille Poirier.
Posted in comics, humour, illustration, montreal
Tagged art fair, art objects, assurart, colette mendenhall, inheritance, insurance, mireille poirier, papier 2017
I recently participated in an episode of “Les Oreilles d’Anne,” a radio show normally broadcast out of Nantes, France. Its two hosts, Florent Bouchardeau and Lisa Focken, were in Montreal at the tail end of a trip across Eastern Canada, in which they had specifically set out to find out about the country’s Acadian musical traditions and contemporary scene. Beginning at 16:32 you can hear my interview with Florent and Lisa on the subject of my ongoing project to create a graphic novel about the Battle of the Plains of Abraham.
When you’re not used to hearing your voice recorded, it’s common to think, “do I really sound like that?” In this case, however, I also find myself thinking “Bon sang! Is my French really that bad?”
Posted in bande dessinée, Battle of the Plains of Abraham, comics, montreal, new france, nouvelle france
Tagged acadie, florent bouchardeau, interview, l'escalier, les oreilles d'anne, lisa focken, nantes
Here are two pages from “Each in His Narrow Cell,” my ongoing graphic novel project recounting the siege of Quebec and the Battle of The Plains of Abraham in 1759. All the characters from a particular nation are depicted in a combination of a neutral grey tone and one characteristic colour -blue for the French, red for the English, purple for the Haudenosaunee (Iroquois), and so on.
Posted in bande dessinée, Battle of the Plains of Abraham, comics, new france, watercolour
Tagged 1759, artillery, bombardment, cannons, each in his narrow cell, graphic novel, pointe levy, quebec city
Montreal’s Papier is an art fair dedicated exclusively to the paper medium, one of the largest of its kind in North America and the largest contemporary art fair in Quebec. This year I will be among the up-and-coming and most definitely bankable contemporary artists to have their work up on display. Sort of. Assurart, an insurance company specializing in art insurance, commissioned me to create twelve drawings that will decorate their booth at the fair. The drawings are intended to humourously illustrate the benefits of getting one’s art insured. But are they art? You decide.
Papier runs from April 21 to April 23 at l’Arsenal (2020 William Street) http://papiermontreal.com/visiteurs/
Hope to see you there!
Posted in bande dessinée, comics, humour, illustration, montreal
Tagged 2017, art fair, art insurance, assurart, contemporary art, l'arsenal, paper, papier
My visual adaptation of the last stanza of T. S. Eliot’s “East Coker,” the second poem of his Four Quartets. It was originally published in 1940. Eliot’s remains are interred in the parish church of St. Michael’s in East Coker, a village in Somerset, England. The poet’s memorial plaque inside the church reads, “in my beginning is my end – in my end is my beginning.”
Today marks the centenary of the beginning of the Battle of Vimy Ridge (April 9-12, 1917). The Allied victory cost the lives of 3600 Canadians (along with, lest we forget, an unknown, but no doubt horrifyingly high number of Germans). Among the dead was my great-great-uncle, Lt. William Henderson Gregory, killed by shrapnel while leading a charge up the ridge on the first day of battle. He had just turned 27.
Two illustrations inspired by the American poet Ezra Pound’s famous and famously short poem, “In a Station of the Metro,” first published in 1913.
I have no experience with Chinese and Japanese brush painting, and it is known as a technique that takes at least a whole lifetime to perfect, but it’s the idea that counts. Perhaps I will return to this theme once I’ve had a little more practice with this painting style.
Posted in illustration, painting, watercolour
Tagged cell phones, chinese brush painting, crowd, ezra pound, imagism, in a station of the metro, japanese brush painting, petals, subway, subway station