“Guardateli, Giovanni Drogo e il suo cavallo, come sono piccoli sul fianco delle montagne che si fanno sempre più grandi e selvagge. Egli continua a salire per arrivare alla Fortezza in giornata, ma più svelte di lui, dal fondo, dove romba il torrente, più svelte di lui salgono le ombre. A un certo punto esse si trovano proprio all’altezza di Drogo sul versante opposto della gola, sembrano per un momento rallentare la corsa, come per non scoraggiarlo, poi scivolano su per i greppi e i roccioni, il cavaliere è rimasto di sotto.”
-Dino Buzzati, Il deserto dei tartari, capitolo I
Again from Yerp Magazine‘s second anniversary special issue from 1989, here is a comic I drew at age 10 recounting the moment I announced to my parents that I wanted to become a comics artist. For the record, neither of my parents ever expressed any desire that I become a lawyer. I had a weird sense of humour (back then).
I haven’t been posting much new work these last couple of months, mostly because I’ve been teaching at four different school this semester and have had time for little else (I have, however, been doing a fair bit of doodling, as attested by my Instagram account @julianpeterscomics). Before winter rather abruptly and definitively set in here in Montreal in early November, I did find a few free afternoons to go out and do some urban sketching, using a material that was quite new for me (at least in adult life) -crayola crayons. The bright, primary colours seemed to suit the Montreal fall light, which is very clear and almost naively unfiltered, and the wax crayons also have the advantage of being eminently portable. Unfortunately I only got to do a few of these before the days got too wet and cold (not to mention colourless) to permit outdoor drawing, but I hope to get back to this kind of thing in the far-off spring.
My conversation with Nantali Indongo for CBC Montreal’s arts and radio program The Bridge is now online on the CBC website: https://www.cbc.ca/player/play/1373130819911
During the course of the interview talk I present four songs that hold a special significance for me and how I connect them to different moments in my life. Which four songs? the answer may surprise you!
Posted in bande dessinée, comic book poetry, comics, montreal, Poetry, Poetry Comics
Tagged cbc radio, comics, interview, nantali indongo, poetry, the bridge
A couple of weeks ago I was interviewed by Nantali Indongo for CBC Montreal’s arts and radio program The Bridge. In addition to discussing my comics projects and the relationship between poetry and comics, I will talk about four songs that hold a special significance for me and how I connect them to different moments in my life. The interview is just under an hour long and runs tomorrow, Saturday, at 5pm EST, on CBC Radio (88.5 FM). Nantali is a great interviewer, and there were a couple of questions that really got me thinking -next time they come up I’ll have better answers!
In honour of Remembrance Day and of the hundredth anniversary of the end of WWI, an adaptation of a poem by my favourite war poet, Siegfried Sassoon. Sassoon (1886-1967) wrote this poem only a few days before the Battle of the Somme, in which the poet participated. The first day of the Somme, on July 1st, 1916, still holds the record as the bloodiest single day in British military history, with 19,240 fatalities.
The fact that, on top of the many natural and inevitable miseries that the world already provides us with, humankind should repeatedly choose to add the ultimate horror of war must surely always stand as the greatest failing of our species.
This comic was commissioned by and originally appeared in the American magazine Plough Quarterly: http://www.plough.com/en
Posted in bande dessinée, comics, illustration, Poetry, Poetry Comics, watercolour, World War One
Tagged armistice centennary, before the battle, plough quarterly, remembrance day, siegfried sassoon, the battle of the somme, trenches, war poetry