The Love Song of J. Alfred Prufrock by T.S. Eliot

My complete 24-page comic-book adaptation of the poem “The Love Song of J. Alfred Prufrock” by T.S. Eliot (Click on images to enlarge).

To those who have asked me where they can find this in print: The comic only exists online for the time being, but I am currently in the process of looking for a publisher for it.

prufrock1prufrock2

prufrock3prufrock4prufrock5prufrock6prufrock7Prufrock8prufrock9prufrock10prufrock11 (2)prufrock12scan0004prufrock142correctedPrufrock153Prufrock16prufrock1712prufrock18prufrock19correctedPrufrock20Prufrock212Prufrock222Prufrock23Prufrock242

522 Responses to The Love Song of J. Alfred Prufrock by T.S. Eliot

  1. Pingback: The Word & Visual Imagination | Imran ki Paathshala

  2. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | ISDILA

  3. Pingback: BibSonomy :: url :: The Love Song of J. Alfred Prufrock by T.S. Eliot | julian peters comics

  4. Pingback: Wednesday Doodle – The Love Song of J. Alfred Prufrock – Eliot | Illustrated Poetry

  5. Pingback: Wednesday Doodle – J. Alfred Prufrock – Eliot | Illustrated Poetry

  6. carillonista says:

    I’ve always found this poem to be profoundly moving, but you’ve brought it to a new depth. Thank you.

    Like

  7. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | Art as Illumination

  8. Tracy Stinsin says:

    I wish you were able to illustrate every poem! It is such a great resource for teaching poetry especially as the amazing images give the poem a new dimension. You are truly gifted. Please keep drawing…

    Like

  9. Mikail says:

    I’ve only recently used this in class to two groups of 12th graders.
    It greatly added to their understanding, especially for the visual learners and weaker students.
    I’m not sure I can agree with no visual reference to WWI (cf. “voices dying with a dying fall”) and some of the panels are perhaps a little too literal.
    Well done sir on an excellent teaching aid – thank you.

    Like

  10. I use Eliot often in my poems – the latest has ‘yellow fog’ and others too use eliot allusions. “Prufrock” is perhaps my favourite and this comic depiction is so good.
    I have Robert Crumb’s “Book of Genesis” a similar endeavour and this matches that, Well done, Sir , a triumph.

    Like

    • Thank you Richard! “Immature poets imitate, mature poets steal,” as Eliot said. I haven’t read Crumb’s “Book of Genesis” yet, but his adaptations of some of Kafka’s short stories are some of the most successful transpositions of literature into comics I’ve ever seen.

      Like

  11. Jamie Dickson says:

    May I use this in the 11th grade English class I teach? It’s really beautifully done.

    Like

  12. Kay Rajwansh says:

    This is really comprehensible. You have made it easy to read and understand.The way you have interpreted it and depicted it, is outstanding. It feels as if the poem is speaking out to me.

    Like

  13. Pingback: Illustrating Prufrock » ENG 3015, Survey of British Literature II

  14. Dear Julian,

    I read this poem some 6 years ago, when I was falling in love with a girl and was standing outside her dorm room in college, not knowing how should I tell her that I loved her. A friend suggested this poem to me, then.

    Seeing it in illustrations today reminded me of that time. And I think you aptly portrayed the J. Alfred Prufrock hidden inside all of us. I am just awestruck by the sheer brilliance of your work.

    Heartiest congratulations and all the best. Hope this gets published soon for the world to see. Till then, I will be one of your proponents on the digital media.

    Regards.

    Like

    • Thanks so much Prateek! I hope the poem was helpful to you back then, but that you nonetheless decided go with a better pick-up line than “I have gone at dusk through narrow streets and watched the smoke that rises from the pipes of lonely men in shirt-sleeves, leaning out of windows“ :)

      Like

  15. Mrs. Walsh says:

    This is AWESOME! I have been teaching this poem for 7 years or so now, and I really struggle. I’ve tried listening to Eliot read it, break it down section by section, discussion, and even have students illustrate sections of it, but this is perfection! May I use it in my classroom? Maybe your creative, appropriate, and right-on illustrations will be just what they need to “get it.” Thank you!

    contact: h.walsh@komets.k12.mn.us

    Liked by 1 person

  16. Pingback: Found Poetry Thursday – with random poem bonus! | Illustrated Poetry

  17. John Bauer says:

    Julian, you are very talented–definitely complete your masterpiece.

    Like

  18. Trauma Queen says:

    This is brilliant! Congratulations! I hope it gets published.

    Just a thought – I might have added the picture of the scuttling crab in one of the last frames, when he starts talking about the sea and drowning.

    Like

    • Thanks! It’s true that bringing back the crab could have been an interesting touch! but there might also have been the risk overcharging the images with too many elements, or of underlining something too insistently… I guess it’s always a bit of a balancing act.

      Like

  19. Pingback: “Shall I part my hair behind? Do I dare to eat a peach?”*… | (Roughly) Daily

  20. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | BPC Library

  21. Comic of love songs is definitely a unique and great job done by you. My congratulations. Hope you get a publisher soon.

    Liked by 1 person

  22. Anonymous says:

    This is honestly one of my favourite things ever. Prufrock is one of my all time favourite poems and you give it so much life. I especially love the little the little silent panels you have added in, they really capture the mood.

    Liked by 1 person

  23. Anonymous says:

    I don’t even know how to say how much I love this. I so want this to be published in print form!

    Like

  24. Pingback: Prufrock Illustrated | Text and Medium: Intro to Digital Humanities

  25. leonidas capetanos says:

    Thank you very much

    Liked by 1 person

  26. Pingback: Under The Tree | EightAteEight

  27. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | The Line Break

  28. courtneyzell says:

    such beautiful work! Thank you so much for sharing!

    Liked by 1 person

  29. david g. says:

    I love this poem. Its words make me happy. I have re-read it every year since the first time I read it. With your illustrations, I felt I read it again for the first time. Thank you.

    Liked by 2 people

  30. Kareema Griest says:

    This was amazing! As for a publisher, I’d recommend Black Bedsheet Publishing, owned by Nicholas Grabowski, located in California.

    Good luck!

    Like

  31. T.S. Eliot is my favorite poet and this is absolutely perfect. Thank you for sharing this with the world!

    Liked by 2 people

  32. That was well done. Thank you.

    Liked by 1 person

  33. Pingback: La canción de amor de J. Alfred Prufrock de TS Eliot. (ENG)

  34. Alexa Huyck says:

    You are awesome! Thank you! I confess that I haven’t read that poem since high school.

    Liked by 1 person

  35. Jill Hinners says:

    I loved revisiting Eliot’s poem in your rendition — and it was the perfect way to introduce the work to my 11-year-old manga/graphic novel reader. Thank you!

    Like

  36. 3 Pointer Julian….you absolutely nailed it! Bravo.

    Liked by 1 person

  37. Wow……perhaps the poem I have read and re-read more than any other. Yet you have brilliantly breathed an energy and vibrancy into it that makes it all new to me again. Thank you Julian!

    Liked by 1 person

  38. Pingback: Fixed the mobile version - The Winsome Scholar

  39. Jessica Thurber says:

    Where can I buy a print copy of this? It’s absolutely marvelous.

    Liked by 2 people

  40. Pingback: A comic-book version of T. S. Eliot’s poem “The Love Song of J. Alfred Prufrock” | On Reddit

  41. *standing ovation* What a lovely, nuanced interpretation that both honors the tradition and transforms Prufrock’s plight anew. I can’t wait to share it with my students. (Oh, how I would love to pair it with subtle sound effects of city streets, muted conversations in parlors, and ocean waves!) I love the paired door panels (you know you’re cheering him to disturb the universe!).

    Even 20 minutes after reading it, I’m still turning over in my head the end “and we drown”. It was a long day at work so it took me longer than it should to figure out to tilt my head. By shifting perspective so that it looks like he is moving down, that made me think he was entering the underworld/hell and an echo to the character from Dante’s Inferno in the epigraph. Either I’m really tired and this is really obvious, or I’m really tired and I’m very much off the mark.

    How did you come to the decision to shift that last frame so dramatically?

    Like

    • Thank you so much Larissa! A few people have been asking me about that last panel. I think it left some people a bit perplexed, but your interpretation is bang on! Not only did I want to suggest Prufrock’s feeling that he is falling or drowning into this soiree, the prospect of which has already caused him such anxiety, but I also wanted to subtly suggest a descent into a kind of personal Hell, and thus close the circle by reconnecting with the opening epigraph and “the abyss”. But I didn’t necessarily think people would read it that way on a conscious level, so I’m impressed you picked up on it.
      As for how I decided to shift the final frame, I was playing around with different perspectives for the last panel that would suggest the townhouse entrance hall as a yawning pit, and nothing seemed satisfactory. Then it suddenly occurred to me at some point to try tilting a panel from one of the first pages, and add Prufrock’s leg sticking out like that of the drowning Icarus in Bruegel’s painting.

      Like

  42. Pingback: Required Reading: November 6, 2015 | Books@Work

  43. Linda Stryker says:

    Julian, you are amazing and your work here is truly incredible. I so enjoyed re-reading the poem, so much more so within your artwork. You have captured the intent and majesty of Eliot’s superb poem and I think, when this is published in book form, open the poem to many more thousands of readers.
    Thank you so much for the experience.
    Linda

    Like

  44. I have read “Prufrock” hundreds of times, taught it dozens of times, and almost thought that nothing could teach me more about the poem. But that is just what your series of drawings did–in addition to being a splendid work of art in its own right.

    Liked by 1 person

  45. Gautam says:

    This is such a dream come true.

    Liked by 1 person

  46. Julian, when I heard about this today, I was prejudicially against the idea of anyone illustrating one of my all-time favourite poems. But I came, I saw, and I am captivated. You have created a work of original art which adds greatly to the power of Eliot’s poem. Well done! I do hope you find a publisher to produce this beautiful work handsomely. Thank you for making it available here.

    Like

  47. Pingback: “There Have Come Soft Rains” by John Philip Johnson and Julian Peters | Rattle: Poetry for the 21st Century

  48. msburke says:

    Given your preferences, you might like this translation of Baudelaire’s “The Pipe” from Fleurs du Mal:

    An author’s favourite pipe am I,
    My Kaffir woman’s countenance
    Tells the beholder at a glance
    My master smokes incessantly.
    If he is mournful or in pain
    I smoke as does the ploughman’s cot
    When the good wife prepares the pot
    Before her spouse comes home again.
    I bind his soul and rock her well
    In the blue twisting skein which slips
    And rises from my fiery lips,
    And weave a very potent spell
    Which soothes his heart in its distress
    And heals his spirit’s weariness.
    — Jack Collings Squire, Poems and Baudelaire Flowers (London: The New Age Press, Ltd, 1909)

    Like

  49. roddyscott says:

    When one reads anything that is written, then the images that are inferred by the words appear in one’s mind’s eye. When someone attempts to create an actual image of the words, disappointment is mainly the case but here, one is not disappointed in the least.
    Justice has been done to the imaginations of those words in bringing them into reality.

    Thoroughly enjoyable, to say the least.

    Like

  50. I have been waiting for ages to see this completed and it does not disappoint. I need this in book form.

    I assume you are researching publishers? To me, this screams BOA Editions or Open Letter Press, both in Rochester, NY.

    Like

  51. Mike Mosher says:

    Very fine, Julian. I just shared it with the comics’ artists club (which sprang out of my 2009 Comics class) at Saginaw Valley State University. Of course, the geezer grumbled Back in the day college assigned us Eliot WITHOUT comics, snort, kaff kaff… ;-)

    Like

  52. CR Mittal says:

    A perfect masterpiece.
    You hold your breath with each frame.
    And marvel at each expression.
    Moves you as much as the poem.
    Three cheers !!!

    Like

  53. Marco says:

    Congratulations for your great work! Generally speaking I am no fan of poetry or novels turn into comics, but I must admit that you did an excellent job, totally respecting T.S. Eliot’s poem! I particularly like Eliot and The Love Song of J. Alfred Prufrock, and your rendition into comics is really beautiful. Bravo!

    Like

  54. Barun Das says:

    Really useful. Thanks.

    Like

  55. suzieq1 says:

    Perfection…will return to this again and again…just beautiful!

    Liked by 1 person

  56. Pingback: Read the Entire Comic Book Adaptation of T.S. Eliot’s “The Love Song of J. Alfred Prufrock” | Golden Gate Daily

  57. This thrilled me beyond words, Julian. Having lived with this poem and images for so long, do you still love it, or are you tired of it? I hope you know that my eyes saw it for the first time and fell in love.

    Like

    • Thank you, Andria! Although I’m relieved to be done with illustrating it, I can happily report that I still love the poem as much as ever, even more than when I first embarked on this project, in fact. The beauty of Eliot’s words seems to be inexhaustible.

      Like

  58. Josh Dobbin says:

    This is absolutely brilliant.

    I particularly love the timing and the moment when the ladies of the parlor stop and change expressions. Perfect.

    And the reveal of the stage, the introduction of Prufrock as Hamlet, and then him begining to speak. Just lovely and so well thought out. Bravo.

    Liked by 1 person

  59. Pingback: Read the Entire Comic Book Adaptation of T.S. Eliot’s “The Love Song of J. Alfred Prufrock” | Follow Me Here…

  60. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | norgot

  61. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | Amygdala Waltz

  62. surlanprez says:

    Being a lifelong fan of comics & poetry, I was intrigued at the mentioning of your work in Open Culture. I remember reading that title somewhere, & I’m familiar with his cats, but I didn’t know the poem, so I had Anthony Hopkins read it for me. The first thing that made an image in my head was the yellow smoke falling asleep around the house. Then I started reading your comic & the smoke was just as I had imagined it. I have now read it through a couple of times & it gets better every time. I understand the poem much better now. Thank you so much for this. Hope to see much more from your creative pen.

    Liked by 1 person

  63. mbk says:

    Really fantastic. I’ve had a vision of those sea girls on the waves in my mind since I was 20 years old, and you nailed it. Bravo.

    Like

    • Thanks, that’s really nice to know! I also felt like I had a picture of those seagirls in my mind for ages, but when I got down to it it took me quite a while to figure out how to depict the mermaid simultaneously riding and combing the wave, and in a suitably graceful manner.

      Like

  64. Kate says:

    Absolutely splendid. Congratulations on an amazing accomplishment.

    Liked by 1 person

  65. doyle333 says:

    This is truly inspired. I feel as though you’ve given people a gift through your artful interpretation of (to my mind) the greatest poem of the 20th century. Thank you so much.

    Like

    • I’ve been involving myself with this poem for so long now that it’s hard to view it objectively, but instinctively I would say that I have to agree. I loved it from the moment I first encountered it, and my appreciation has only continued to grow ever since.

      Like

  66. doyle333 says:

    This is one of the most beautiful things I’ve ever seen… thank you so much.

    Liked by 1 person

  67. Now that you’ve brought this remarkable labour of love to its conclusion, the fruits of it are nothing short of masterful. The parts were great, but the sum of them is far greater. Hats off and jubilant applause, brother!

    Like

  68. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | Our Days & Futures

  69. Jeoff says:

    A tremendous and vivid re-imagining of the poem! Thanks to you from me and my students!

    Like

  70. Rob Franciosi says:

    Bravo. This is really a wonderful response to the poem. I’m teaching Prufrock tonight and will share this with my students. I’ve been following its progress and was delighted to discover today that you have completed your work. There are a great many panels that I admire, but perhaps my favorite is the one accompanying “Do I dare disturb the universe?”, which you then return to on the very last page. This evening I will tell my students that if they can understand the paired “door knocker” panels on the final page, they will have a great start on understanding Eliot’s poem.

    Thanks so much for this effort.

    Like

    • Thank you Rob! I had noticed that the original door knocker image was among the more popular online, which is partly why I decided to return to it in the end. Give the fans what they want, that’s my motto! I hope your students enjoy it.

      Like

  71. Dave-o says:

    The last panel is a stroke of genius. I had to stare at it for a few minutes and get a closer look to realize what you had done. It might be a visual gimmick but it does make you pause for a moment to appreciate the message of the poem.

    Like

  72. Pingback: Final Page of “The Love Song of J. Alfred Prufrock” by T. S. Eliot | julian peters comics

  73. I have used your comics with my high school students, and I thank you for your imaginative and insightful representation of classic poems. Keep them coming!

    Like

  74. Don capon says:

    Absolutely brilliant. Thank you

    Like

  75. J Gamboa says:

    Truly outstanding illustration, and I agree with everyone else’s comments and more, you helped me to understand the poem better. Thank you.

    Like

  76. Anonymous says:

    This is really awesome! It’s my favourite poem and you painted it just the way i had it in mind too. I’m really looking forward to the next pages. You should have it printed somewhere as well, it’s a great piece of work and as you can see you have loads of fans already :)

    Like

  77. blanche84 says:

    Thank you, this is my favorite poem. Meraviglioso.

    Like

  78. Anonymous says:

    really good but we missed the prince hamlet and the drowning people

    Like

  79. Pingback: Youth, un film où Prufrock, revisité par Graham Sage, aurait pu s’inviter… | Ecritures du monde

  80. C’est magnifique! Je viens de voir vos dessins et je me suis permis d’en montrer un sur mon blog. Je parle aujourd’hui de l’ ouvrage d’un ami anglais que je viens de traduire en français: “les tribulations de J. Alfred Prufrock au pays des moas géants”, aux éditions de l’Harmattan. par Graham Sage. J’ai fait un lien sur votre propre blog pour que les lecteurs découvrent votre travail remarquable.
    Bien amicalement. (excusez-moi pour le commentaire en français).
    Chantal Serrière

    Like

  81. Pingback: T.S. Eliot’s “Prufrock,” Illustrated (Part II) | Bluestocking's Blog

  82. Payal says:

    Dear Julian,
    I loved your comic adaptation of Eliot’s poem. It is absolutely brilliant. My favourite panel is the one which illustrates the line “Do I dare disturb the universe?”. I teach undergraduate students of literature at the University of Delhi, India. We are just starting Eliot. I will be using your illustrations in class.
    As a professor of literature, a reader of Eliot and a fellow comics artist, I wanted to say thank you for taking on this project. Hope to see the remaining illustrations soon.

    Like

    • Thanks Payal! The last drawings are done; all that’s left for me to do is ink them. In fact the imagery from the “Do I dare disturb the universe” panel will reappear in this final section. I’d be curious to see your comics, particularly if they reflect your literary expertise.

      Like

  83. Kavita Joshi says:

    Absolutely loved it. Congratulations for this stunning work. I’ll be delighted to buy a copy whenever you publish it. And if there’s no publisher, please do consider self publishing – for the sake of all of us readers.

    Like

  84. mickplay says:

    Wonderful treatment of a favourite poem. Beautifully evocative of when it was written but also dreamlike timeless. Have you managed to publish it yet?

    Like

  85. Josh E. says:

    Wonderful – captures both the darkness and wry humor of Eliot’s poem. Thank you and kudos!

    Like

  86. Pingback: What I’m Reading: T. S. Eliot | Christa Maurice

  87. Sandhra Sur says:

    Absolutely fabulous! Enhances the whole experience of reading the poem. Very well done, indeed!

    Like

  88. Paul says:

    I love your version of Prufrock. I’ve been sharing it with high school students for two years now, and I love the new panels! My favorite thing is how well you present the character of Prufrock. The combination of comedy and pathos in the pause before “I should have been a pair of ragged claws” is perfect, and shows a nuanced reading of the poem. Your illustrations really bring out the interplay of observing and being observed that are at the center of P’s paralysis. His sense of exclusion, his fear, his petty worries, all this is here. A tremendous piece of work.

    Like

  89. Ashok Khosla says:

    Wow. Simply superb. I am looking forward to the passage about Hamlet “No! I am not Prince Hamlet, nor was meant to be.” Look forward to purchasing the completed work. Glad you chose this poem as your current piece. Indebted.

    Like

  90. Pingback: One hundred years of no solitude: ‘The Love Song of J. Alfred Prufrock’ lives on in India | Scroll CMS

  91. It works so well in graphic novel format! A gripping and slightly eerie story.

    Like

  92. Anonymous says:

    This is probably one of the most beautiful illustrations I have ever seen. You are breathtakingly talented. Cannot wait “’til human voices wake us, and we drown.”

    Like

    • Thank you, Anonymous, your kind words are a big encouragement! I have been thinking about how to illustrate those last lines for ages now. I too look forward to the day when I pen the final panels, hopefully later this summer!

      Like

  93. Z says:

    Hi Julian,

    I’ve been tracking your Prufrock illustrations for a long time now. I hope you don’t mind, but I used a couple of your comics on post on my blog, with click-through links back to your blog of course. You can visit the post here: http://www.theperennialstudent.com/blog/2015/4/20/ts-eliot-comic-book-poetry, and if you’d like me to take it down, just let me know! Can’t wait till the full poem is published!

    Like

  94. Pingback: The Love Song | ISDILA

  95. Riitu Chugh says:

    this has blown me away. i studied this work as part of my undergraduate degree in english lit. many years ago. and it suddenly seems to come alive.
    thanks for this. my congratulations.

    Like

  96. cyclopsee says:

    This is brilliant. Don’t think the purists can complain much. It gives a whole new perspective Congratulations!
    Also, are you planning to do some of Plath or Cummings? :)

    Like

    • V says:

      Cummings! Yes! Please! How about “may my heart be always open,” or “if i or anybody don’t know where it her his . . .”

      Like

      • cyclopsee says:

        Or may be “In the Rain” :-)

        in the rain-
        darkness, the sunset
        being sheathed i sit and
        think of you

        Like

        • In the past I considered illustrating “Daddy” and “anyone lived in a pretty how town”. cummings would be an interesting challenge to illustrate because I feel the shapes of the figures should be a bit ambiguous, like they are in the process of transforming into something else. I think the paintings of Arshile Gorky, in which all the shapes look sort of like something identifiable, but not quite, could be a useful reference. And also Chagall’s kaleidoscopic yet airy compositions. One day, I hope!

          Like

  97. Olivia says:

    This was so beautiful.. One of my favorite poems and you illustrated it so well!

    Like

  98. Gail says:

    I loved reading this and can’t wait until you’ve finished it. Id love to see your interpretation of some of Norman McCaig’s work.

    Like

  99. Pingback: The Love Song of J Alfred Prufrock | Nicely Kerned

  100. Arfa says:

    Thanks for sharing your positive work with world ,and making work of poet quite easy to understand.

    Like

  101. Stacey says:

    This is wonderful. It is EXACTLY like what I have always seen in my mind.

    Like

  102. When you are ready to market, if you need blurbs from teachers, please contact me! I’ll be happy to endorse this as a perfect teaching aid! Not to mention, just some very fine drawings!

    Like

  103. April says:

    This is wonderful! I know everyone else said this already, but I am an English teacher and I just have to say how great it is to have something like this to open my students’ eyes to the meaning of the poem. Please keep up the good work! I know that I and a million other English teachers out there will buy your work!

    Like

  104. Pingback: The Book Booth: Visual Arts Edition - Archive - The Political Carnival

  105. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | Librocubicularist

  106. Pingback: Surgery as Public Spectacle: How To Get Over Your Fear Of Being Examined [Online] | : the readiness is all

  107. Pingback: Illustrator Julian Peters Adapts Classic Poetry Into Comics | (The) Absolute

  108. icarusgreen says:

    Hi Julian,

    Please finish this magnificent piece of work. I would happily buy it.

    Like

  109. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot | 8-bit heart trinkets

  110. Víctor says:

    Hi Julian, I hope you won’t mind that I used a couple of your images on a video I made for a composition a friend of mine did over the poem by Elliot. Of course, I gave credit. I hope we’ll see the rest of the comic soon. If I can buy it from Spain, I’ll surely do. Cheers. Link for the video: https://www.youtube.com/watch?v=UCFZngr4hc4

    Like

  111. T says:

    Julian, what about an Indiegogo or kickstarter campaign, donors get copies? Donors get pdf version, paper version, signed paper version for different commission levels etc… Don’t leave us etherized upon the table!

    Like

    • Thanks for the suggestions! I’m going to complete the rest of the comic this fall. If no publishing opportunities emerge by then, I will indeed presume to disturb the universe, and begin a crowdsourcing campaign.

      Like

      • Anonymous says:

        As a high school English text, this would be amazing. I wonder if there is a way to get publishing through an educational company, like Scholastic, who can sell in bulk to schools?

        Like

  112. Anonymous says:

    Keep in touch as soon as you have news

    Like

  113. M. says:

    Any news on the publisher front?

    Like

  114. Pingback: The Love Song of J. Alfred Prufrock by T.S. Eliot…the comic! — Limbicnutrition Weblog

  115. Anonymous says:

    Julian, good evening from Itlay!!I am desperately tring to purchase this work.could you help me?

    Like

  116. Pingback: “Prufrock” in cartoon format | Dj Matioka Blog

  117. I love the oyster shells as ashtrays. We forget just how tough times were for our ancestors. No going down to the $2 shop. Incidentally I think my love affair with Prufrock began with ” the yellow fog licked its tongue into the corner of the evening.” In London in 1946 as tiny girl I was standing with my Dad waiting to cross the street. It was December and we were on our way to visit my mother and new baby sister in hospital. I remember distinctly saying asking “Daddy where does the fog come from?” I don’t remember his answer, but when I first read the fog line I immediately conjured up my own image as if TSE had written it for me. Because of this I always assumed TSE was writing about London.

    Like

    • An evocative recollection! It could be London, where Eliot was living through much of the period in which “Prufrock” was written. Or it could be St. Louis, where Eliot grew up, and whose fog he himself recalled as the inspiration for that evoked in the poem. Boston, where Eliot was living when he began writing “Prufrock,” seemed like a good, “mid-Atlantic” compromise.

      Like

  118. Robert says:

    I love this so much! But one little thought: by “sawdust restaurants with oyster shells,” doesn’t Eliot mean the kind of restaurants that have sawdust on the floor and oyster-shell ashtrays *on the tables*?

    Like

  119. Pingback: The Love Song of J. Alfred Prufrock | The Chimera Complex

  120. When are you planning to finish the rest of the poem? I’ve been eagerly waiting to see the rest!

    Like

  121. Pingback: Sunday Treat – National Poetry Month – The Graphic Love Song of J. Alfred Prufrock | Rhapsody in Books Weblog

  122. Jess says:

    I need this. I can’t believe I never thought of this! I’ve got some Prufrock tattooed on my body. Genius. Can I buy it someplace?

    Like

  123. Pure genius. You paint the irony, ambiguity, and loneliness that Prufrock embodies with such unnerving ease. Hope to see a lot more from you!

    Like

  124. The Layman says:

    Beautiful. This is how I understand Elliot, the man.

    Like

  125. Mari Kis says:

    Amazing, thank you!!!!

    Like

  126. Pingback: Versify #7: A New Kind of Comic Verse | The Drunken Odyssey

  127. Anonymous says:

    This is amazing! I want MORE!

    Like

  128. Smith PC says:

    I really like poetry and enjoy writing it from time to time, but I don’t usually read “old poetry” unless it’s assigned to me for homework and even then I find it hard to understand mostly because I don’t get into it. But I find what you’ve done with “The Love Song…” poem and the other ones you’ve done to be very refreshing and attention grabbing. Maybe it’s due to the fact that reading comics is awesome; but anyways your work is outstanding and I hope you finish this one soon.
    P.s. I think poem comics will make younger generations enjoy poetry. Keep up the good work!

    Like

  129. Pingback: Analogy | festinalente14

  130. oe12 says:

    Wonderful. Love it.

    Like

  131. Pingback: Comic-book Keats – a new way to prevent the ‘end of poetry’? | No more wriggling out of writing ……

  132. Pingback: 5 Cool Clicks: Arts and Culture - The Sweet Seed

  133. Pingback: Poetic Images - Bad Girl Chats

  134. jim kelly says:

    Wow! I simply love this too, like everybody else. Have you ever seen the Mad Magazine version of The Raven? Pretty good too, though in an entirely different vein.

    Can i get on an e-mailing list for your releases? I’d like to purchase when available.

    Like

    • I may have read the Mad Magazine version a long time ago, I seem to have a very vague recollection of it. I certainly greatly enjoyed The Simpsons version! If you start following my blog you will receive updates on all publishing-related news.

      Like

  135. Anonymous says:

    Unless it would be a bit hideous, did you ever consider Emily Dickinson’s “The Chariot.” (because I could not stop for death he kindly stopped for me.”

    Like

  136. Pingback: Picturing Prufrock | The Penn Ave Post

  137. Pingback: “Do I dare?” and, “Do I dare?” | Illumination of What

  138. Lynne Nova says:

    Are you intending to put copies up for sale? This would make a perfect gift for my sister.

    Like

  139. Raymond Doubell says:

    Since so many others are asking for their favourite poems to be illustrated by you, please may I put in a plea for ‘The Hollow Men’ (including the epigraphs)? It’s been my favourite for almost half a century and I love teaching and examining (on) it.

    Like

    • I have actually given a lot of thought to the possibility of adapting “The Hollow Men” (maybe paired with “Prufrock” in an Eliot comic book). I’ve no idea what it’s going on about half the time (your analysis would be welcome), but I find it incredibly haunting and beautiful, and full of the kind of strong imagery that works in comics form.

      Like

  140. Michael Bruno says:

    This has for years been one of my favorite poems to reread and to teach. I would have resisted a literal depiction, but then I saw yours and have savored every frame, every line, and every little irony or joke (the mantlepiece David, for instance). Thanks for sharing your skill and for reopening the work to me afresh.

    Like

  141. Muthanna says:

    A great way to teach poetry, nice work!

    Like

  142. harshomohan says:

    extremely impressed with the artwork and happy to see a comic version of the prufrock poem! i am a comic book artist myself, as well as a former student of literature, so i find the work to be a big inspiration. regards, harsho

    Like

  143. Pingback: Comic book based on Prufrock going viral | Tribrach

  144. sage248 says:

    I am shocked that new readers are acting like your work is something like the second coming when Poetry Comics was created by Dave Morice in 1978 and he has 3 published books of them and is colaberating with people like Binaca Young and paul Tunis each doing the exact same thing with their various talents. Pufrock was the very first poem to be done in this art form in 1978 by Morice a student teacher to impress an Iowa Writers’ Workshop girlfriend. The difference? he did his over night, you are taking 3 years. In 3 years anyone could build Stonehenge! Also you have one dreary style, Morice in his published books showed a wide variety of styles to match the tone of different poems. His innovation has been a teaching aide in schools since 1980. How dare you pose as an innovator, instead of the slow imposter you actually are.

    Like

    • I think you will find I have more than one dreary style, as you might discover if you were to take the time to peruse my website. If you did so, you would find that I wrote a blog entry on Morice’s work about a year ago, one on which he commented, giving me his blessing. To which I wrote back, “It’s an honour to hear from you, Dave! Thanks for your kind words, and thank you for inventing poetry comics!”

      Like

  145. James F Jillett says:

    The finest work (it dwarfs The Waste Land) by America and Britain’s finest poet, beautifully and imaginatively visually realized. Your drawings correspond very closely to how I imagined the poem ever since I first read it. I thank the Boston Globe for referring me to this site, and simply cannot wait to possess the book. This is a masterpiece which makes another masterpiece even greater.
    -James F Jillett
    Boston

    Like

  146. Pingback: Caffeinated Links: Catching Fire Book Cover, T.S. Eliot, Inside Llewyn Davis Music | Coffee and Irony

  147. cherian johny says:

    dude..this is exacltly how poems should be taught…ppl will start lovin poetry once they see ur work..i’ve bookmarked ur page and am in a constant effort to make ur work recognized to everyone i can…ur awesome man,i mean that

    P.S:i know ur busy completin other works but please consider doin “stopping by the woods on a snowy evening” and “rime of the ancient mariner”-i know u can pull it off man.congrats again and all the best for the amazin works yet to be publised by ur masterful mind.. ;-)

    Like

  148. Claire Warren says:

    PLEASE get this published and let me know when you do. I NEED A COPY!

    Like

  149. Anonymous says:

    Stunning – I would buy copies – really needs to be published

    Like

  150. Pingback: J.Alfred Prufrock | Je pense, donc je suis.

  151. Pingback: Do I Dare Disturb the Universe? | trend & chic

  152. Pingback: What I’m Reading – Nov. 2013 | Better Than More

  153. Matthew Lippman says:

    Julian. Hey. I am a poet and English/Creative Writing teacher and teach “Prufrock” every year. This interpretation, via the comic, is brilliant and beautiful. I do hope you get this published. It’s an incredible teaching tool. It’s an incredible piece of art. Good luck finishing. When you do, I will have my school buy multiple copies.

    Like

  154. Pingback: Prufrock, Illustrated As a Comic | Tea for One -- The Back Room

  155. A lover of poetry says:

    You are so good Julian! Congratulations on your excellent work.

    Like

  156. Anonymous says:

    best one can show it in an artistic way

    Like

  157. Pingback: Weekly Diigo Posts (weekly) | The Reading Zone

  158. nicky says:

    Amazing! I absolutely love this idea. Your beautiful artwork really adds to the enjoyment of Eliot’s incredible poetry. I’d love to see the rest of “Prufrock.” Well done!

    Like

  159. Pingback: This is hereby declared the official favorite comic strip of Reading Between the Lines. | READING BETWEEN THE LINES

  160. Claire b says:

    Such a complete delight!!! It is gorgeous and well done in every way. Would love to contribute to Kickstarter, if you choose that route. I was going to suggest doing The Wasteland, but it’s hard to illustrate footnotes imaginatively, chuckle. Cheers!

    Like

  161. Brian Owens says:

    Fascinating to see a visual rendition, especially in comic form, of a poem I have loved for years and had only imagined. And many of your drawings are oddly close to what I had imagined. Great job — eagerly awaiting the rest.

    Like

  162. Henry Smiley says:

    Prufrock may be my favorite poem, one that I subject my lit students to whenever possible. I’m very impressed with your illustrations so far, and I can’t wait to see this project in its finished form. Brilliant stuff.

    Like

  163. Pingback: Thursday Links: Fourier transforms, paleontology blogs, evolutionary tempo, adorable kittens | fossilosophy

  164. Joe says:

    Fantastic! haven’t read this poem since high school.

    Like

  165. Lovely! Thanks for this- it helped open up the poem for me.

    Like

  166. Now among my five favorite illustrations–along with Dore’s Rime of the Ancient Mariner and Rockwell Kent’s Moby Dick; thank you, and please illustrate one of my poems at “Astrew In Them.”

    Like

  167. do I dare disturb the universe? beautiful.

    Like

  168. outstanding, julian. you are an illustrator par excellance. really, quality quality stuff. I’m not familiar with t. s. elliot, but from what I got on a first reading, the pictures nail it. and I know how hard that is to do. you illustrate other people’s poetry with your pictures. I use other people’s pictures to illustrate my poetry. and I’m not having a lot of success getting what I want. I can only dream of results like yours. I didn’t dare look at annabel lee. it would have got to me worse than the wasp factory by iain banks. come in here, dear boy, have a cigar. you’re gonna go far, you’re gonna fly high, you’re never gonna die, you’re gonna make it if you try; they’re gonna love you.

    Like

  169. Nipon Haque says:

    This is tremendous work! Thank you so much.

    Like

  170. tonyoseland says:

    One of the things I tell my students when we discuss graphic literature is that, many times, the lack of detail in the dialogue isn’t missing, it’s just gone visual. Dickens was a great one for describing everything down to the lint balls in a pocket, but for a graphic medium, we would just show a few lint balls in someones hand instead. The information is still there, just in another form.

    Many people have asked the same question as above on “why do we need the pictures when we have the words.” Having taught ESL for years, as well as remedial reading, I can state that, as far as my observations and work has shown, the addition of the graphic material makes it easier for those who are language challenged to make those leaps in understanding the rest of us take for granted.

    Like

  171. Lew says:

    Fascinating. This is a compelling treatment of (one of) my favourite poem(s).
    I haven’t read all the comments, so I may be repeating someone else… but two things occurred to me.
    First, the bed in the “restless nights” panel should not be made up.
    Second, the last fog panel should be completely blank. (That shouldn’t be too hard to draw!)
    Please continue.

    Like

  172. Burt Havingstrom says:

    Sure, fine, but we already have the poem. What in the world are the drawings for?

    Like

    • Leave a reply says:

      Sure, fine, but we already have snide critics enough. There are comments aplenty on web sites around the world. What in the world is your comment for?

      Like

    • Rebecca says:

      Well, I suppose you could ask, we already have Michelangelo’s David, so why a poem about it? Or for that matter, we have the Bible, so why do we need Michelangelo?

      Like

    • Melissa Byers says:

      Art builds on art, so why not enhance the words with images? Some of the world’s finest poems are reactions to visual art. Why not go in the opposite direction and graphically react to words? “Why does it exist” is not neccessarily a reasonable response to art.

      Like

      • Brendan says:

        Yes, as in W. H. Auden’s “Musee des Beaux Arts,” one of my favorite poems — Auden’s speaker is at the Museum of Fine Arts in Brussels, looking at Brueghel paintings, first “Massacre of the Innocents” and then “Icarus.”

        The poem begins,

        About suffering they were never wrong
        The Old Masters.

        Other art is a reasonable subject for art, IMO. So a graphic version of Eliot’s “Prufrock” is legit, as would be poems about paintings, etc.

        Like

  173. Emily says:

    Love. Love. Love. The pacing is crazy good, so true to the poem. Want. More.

    Like

  174. Gil says:

    More! More! I want to see the sea girls singing to each other. I don’t care if they sing to me or. . .

    Like

  175. Rebecca says:

    You’ve brought T.S. Elliot’s wonderful poem to life exactly as I imagined it. I can’t wait for you to finish. The fog is delightful. I am savoring thoughts of the peach, and fearing (a little) the ragged claws. Bravo!

    Liked by 1 person

  176. Frank Brown says:

    Bravo! This rendering of the poem is spot on, brilliantly conceived and executed. Where can I get the rest?

    Like

  177. Do you take personal requests? :)
    I’ve grown up loving this poem and your illustrations are EXACTLY how I imagined it in my head. Ever better, actually. I hope you get published soon! I can’t think of a better way to teach poetry to children and people who find poetry too abstract and inaccessible.

    Like

  178. Brendan says:

    Brilliant and wonderful! Thanks so much.

    Like

  179. maryanne says:

    Please complete this poem, and then tackle “Ash Wednesday” by Eliot. Also, more Yeats. Your illustrations are perfect in matching the pictures in my mind when reading the poem. Especially love the “patient etherized on a table” and the furry fog.

    Like

  180. pixelrites says:

    Wow. Extraordinary work! Thank you for the great imagery. Best wishes

    Like

  181. This is beautiful! Where is the book available? It would be the perfect gift for a poet friend of mine.

    Like

  182. Rockzid says:

    Just read a glowing review of your work in our local paper (The Hindu dated 10 November ).Prufrock an all-time favorite of mine.Your work is extraordinary and captures the essence of the poem brilliantly.Looking forward to exploring your website at liesure.Hope to see your work in book form soon.

    Like

  183. David I. Block says:

    I was introduced to Eliot’s work while in high school, almost 40 years ago. I found that I had to memorize it in order to fully understand it (or to get what passes as understanding). I decided, at the time, to memorize the Complete Works of T.S. Eliot. I started with “The Hollow Men,” then “Prufrock,” and finally “Burnt Norton” before my brain got full. I can still recite them to this day.

    The best thing that I can say about your illustrations is that they augment, and do not contradict, the images in my mind as I recite the poem. The are of the time, with exactly the proper styling, and I love that you have inserted Eliot as J. Alfred.

    The second best thing I could say as that I know how hard this is, and how easy it would be for your illustrations to pale against the poetry. It does not. I had a music teacher who was attempting to convey to me how hard it is to mix two separate types of art – even words with music. “Did you notice,” he asked me, “that in the musical ‘Cats,’ that the song everyone hums as they leave the theater is the one song for which Eliot did not write the lyrics?”

    This was, he explained, because it was so difficult for the composer to construct melodies brilliant enough to stand up to the lyrics. In “Cats,” the lyrics shine through, and the only brilliant melody is “Memories” which was not constrained by Eliot’s poetry.

    This is why, for me, your illustrations are remarkable. They stand up to, alongside, and support his words. Kudos to you, sir.

    Like

  184. Aman Mahajan says:

    Enjoyed this, and looking forward to the rest of it.

    Here’s something I composed sort of as a theme for Prufrock. (This is a live recording of my band, REFUGE.) I think they go well together!

    “Talking of Michelangelo”
    REFUGE

    Like

  185. I regret to admit that I have always felt a strong identification with J. Alfred Prufrock. Naturally, when I saw this link in my Facebook feed, I had to click on it. Amazing. Your artwork is amazing. I am floored. I look forward to further installments.

    Like

  186. frankpjd says:

    Extraordinary work, Mr. Peters! Eliot would be proud!

    Like

  187. Love it! I had forgotten how much I loved this poem. Your awesome visuals helped me to remember.

    Like

  188. Anonymous says:

    once… 1970’s… Washington Square Park… Poez…a menu with poems he could recite for a few dollars… I chose Proofrock…lost in the words while he spoke… THIS! brings back that moment and adds the pictures from your head to the ones in my head. Thank you.

    Like

  189. litlfrog says:

    Please sir . . Can I have some more?

    Like

  190. Prufrock the poem of my heart for over fifty years and now your brilliant visual rendition. Please let me know how and when I can obtain copy.

    Like

  191. Wow! Just wow. This is wonderful!

    Like

  192. This is brilliant. Brilliant! I will definitely share this with my students and hope for a print copy in the future.

    Like

  193. emchic says:

    I agree with the other posters. I would contribute if you began a kickstarter campaign. I love this poem, and I would love to have a hard copy to share with my students.

    Like

  194. Brian Defer says:

    1. I agree with the consensus here – this is brilliant.
    2. I would be thrilled to give some support to a kickstarter project if you go that way.
    3. One suggestion: Your image of evening spread out against the sky on page two just does not work for me. Placing that body in the foreground cuts it off from the sky which is where the text makes me want to see it and makes it look like somebody dropped a cadaver in the street and wandered off. I think it would work better if it was a background element – perhaps suggestive shapes made out of the dark tops of buildings in the distance…

    Like

    • Thanks! The patient is placed at the bottom of the page to ensure that it is the last element one sees, thus imitating the surprising twist at the end of Eliot’s opening lines. But when one look more closely, one sees that the entire street is also the body of the patient, who is lying “against the sky” in the sense of “facing up at the sky.”

      Like

      • Mark Martel says:

        Actually I think it is one of your stronger panels because it is less literal. (Is less literal more literary?) Your use of period detail really helps place the poem in context and explain many social aspects now gone by. But consider imagery that sometimes contrasts the text or even contradicts it. Seeing the poem after 35 years I realize now there’s almost a noir aspect, with this man out walking toward another doomed group date as the evening of his life is beginning to fall. It can be cinematic in the way it flashes ahead and back in time.

        Like

  195. Tony O'seland says:

    Outstanding. This is one of the major poems I use in my Intro to Lit courses. I’ve probably just missed the info but where is the full version available? I also teach a course on the Literature of the Graphic Word, and would like to be able to make this part of the readings for both classes.

    Like

    • Leta Rogers says:

      That is a wonderful idea. I read this poem with my 11th grade English class. Not being a visual thinker, I often have to rather mechanically parse the lines of poetry. Once I was able to eventually ‘see’ the imagery, I felt it and loved this poem. This would be a really interesting class discussion to have students read the poem without the visuals, and then to see their reactions to the graphical version. Do the visual thinkers in the class react differently to poetry? Did they realize they were visually-oriented? Does the illustrated version help the verbal thinkers grasp it?

      Like

      • tonyoseland says:

        Yes, the illustration greatly helps. See my comments on my usage of graphic literature in ESL and remedial reading. I would love to have your input, and everyone else, if you use graphic literature. How do you use it, how do you explain it, what do you do for lesson plans and such. Perhaps one day we can do a group project and put out a pub through the Open Source protocols on the use of graphic literature.

        Like

  196. The yellow smoke is too cute. It is an insidious element and its image should reflect that. Otherwise great.

    Like

  197. Edie Howe says:

    Wonderful. Thank you.

    Like

  198. Pat Ludwig says:

    A lovely and fitting visualization of Eliot’s great poem Julian! Keep up the good work!

    Like

  199. Jeff Silver says:

    Yes! Just, yes.

    Like

  200. Anonymous says:

    Absulutly wonderful, well drawn and well conceived. It makes me want to read the poem (surprising for me as I have always avoided poetry) please continue to do this I would buy it as a BD. david black

    Like

  201. stilesroad says:

    Excellent! Now, if you are, really, accepting suggestions, then I’d love to see you animate G.M.Hopkins The Windhover and then Andrew Marvel’s Upon Appleton House! Thanks so much for this experience – a melding of my youth with my university years… fascinating.

    Like

  202. detvdokter says:

    This is absolutely beautifully done. It went straight to the heart!
    Please keep going!

    Like

  203. Fabulous. Not to much graphic to detract from the verse but just enough to enhance the experience. I’m sure this would bring in a larger audience to poetry.

    Like

  204. Pingback: Comic adaptation of The Love Song of J. Alfred Prufrock | It's like, Really?

  205. Pingback: Comic adaptation of The Love Song of J. Alfred Prufrock | Globe Law News

  206. Casey says:

    This is the most wonderful thing in the history of the world.

    Like

  207. So wonderful. You got the fog just right. This poem is very close to my heart. Your collaboration with it brought tears to my eyes. Please use Kickstarter to fund more. I will contribute. Also, may I email you about your ‘zines?

    Like

  208. Pingback: Comic adaptation of The Love Song of J. Alfred Prufrock | Designolics

  209. John Alfred Taylor, Emeritus says:

    Wonderful. If I was still teaching, I’d make sure y students saw this.

    Like

  210. John Alfred Taylor, Emeritus says:

    Wonderful. If I was still teaching I’d make sure my students saw this.

    Like

  211. Mani Kumar says:

    How he disturb the universe……………..
    ths is interesting to reading

    Like

  212. This is truly wonderful – Prufrock was the first poem I fell in love with, and you just made me fall in love all over again.

    Can’t wait to see the rest – and to see you bring more poems into comics!

    Like

  213. Wow! The Lotus Eaters please!

    Like

  214. Marya says:

    Profound appreciation and many thanks.

    Like

  215. Neha Chaudhary-Kamdar says:

    This is SO fantastic. And I would love to see you do Kubla Khan.

    Like

  216. Sean Hill says:

    Julian Peters, this is amazing. I want to read this to my children.

    Like

  217. Sangkug Yi says:

    Very impressive. How about The Waste Land after finishing this?

    Like

  218. Pingback: We love radio, MusicWatch, poetry comics, Neo Boys, P:EAR | Oregon ArtsWatch

  219. rfhartzell says:

    Exquisite work! I raced through those first nine pages and wanted to keep going. Got here via Open Culture and was a little skeptical before I started reading/viewing. But your method is so vivid and keenly literate (I love your rendition of “Streets that follow like a tedious argument/
    Of insidious intent”) it was irresistible. Congratulations.

    Like

  220. rfhartzell says:

    Wow … got to the end and wanted to keep going. A really magnificent visual interpretation. No idea what Eliot himself would have thought, but let’s assume silence means assent. I gather you need funding to complete the poem. Have you ever considered Kickstarter? Based on the comments here I can’t imagine you’d have trouble reaching your goal. Anyway, congratulations on your vivid, literate work.

    Like

  221. allex says:

    Reblogged this on Librocubicularist and commented:
    J. Alfred Prufrock and I have a very strange love/hate relationship.
    But I couldn’t NOT reblog this.

    Like

  222. aishwarya says:

    Awesome..it was shared by our professor on our college page n have to say, a commendable job..:D

    Like

  223. Tom Rohde says:

    This and Preludes are my favorite Eliot poems and your artistic rendering of the Love Song is fantastic. Thank you for doing it.

    Like

  224. Sukanya neogi says:

    Our teacher posted a link of this on our college‘s page.. N i literally thank him for this.. This is absolutely fascinating.. Incredible work.. Loved it..

    Like

  225. sudeshna says:

    awesome. looking forward for more

    Like

  226. Very impressive … the tempo is just right, the synchronizing between verse & pictures is smooth, both optically and conceptually. Making readable comix verse is very difficult and you’ve done a great job. Looking forward to more projects from you.

    Like

  227. Saturn With Earrings says:

    This is incredible! It’s innovative and engaging and beautifully communicated. I enjoyed this very much. You’re a great illustrator. Definitely amazing work. I hope this leads to more graphic novels on poetry!

    Like

  228. Anonymous says:

    Great work! Wanted to see the rest of it!…

    Like

  229. K says:

    My niece sent me this and I was really taken aback. This is such a beautiful and revolutionary way to introduce poetry to another generation. Brilliant! If this ever goes to book form, you have my support 100%! Thank you for sharing this.

    Like

  230. Marcelo Estrada says:

    Wish for more comics of the classics.

    Like

  231. This is incredible, it’s such a beautifully written poem, and your illustrations match it so well! :D

    Like

  232. Jaw drop. You’ve captured each phrase with skill and insight. I feel like I stumbled upon a great and rare treasure. You’ve managed to actually enhance what was already a brilliant piece of work and take it to new heights. HBL (Granny Lala in Louisiana)

    Like

  233. Just gorgeous. My favorite poem of all time, and lends itself perfectly to graphic novel form. What a beautiful project you have here. Congratulations, and thank you so much for this – this absolutely made my morning.

    Like

  234. ayush prasad says:

    So cool, Julian. This is amazing and it inspires me to write good poetry. Wish this would happen with more and more poetry, helping it come alive for the story reader… You rock man, awesome work, keep going…

    Like

  235. Bradford says:

    This is wonderful. A collection of poems illustrated like this would make a fantastic book for teaching literature to young people. I hope at some point you can secure funding to pursue these projects even further.

    Also, though it is a selfish request from someone lacking French language skills, do consider illustrating additional English language poems for your blog.

    Like

  236. Is this project going to be the complete and uncut poem? This amazing!

    Like

  237. This is lovely, lovely. How can I read more? Do you sell your work?

    Like

  238. virginia evangelist says:

    Just terrific, thank you. Robert Frost, I Have Been One Acquainted with the Night, might be interesting to you.

    Like

  239. Anonymous says:

    I recommend Mr. Flood’s Party:

    http://www.poetryfoundation.org/poem/174245

    Like

  240. I second that commotion!

    Like

  241. Brerarnold says:

    Very well done! I hope it gets picked up by a publisher. Some of the suggestions for your next work are interesting and I like them. Let me offer one, much less literary but rife with graphic possibilities: one of Jim Morrison’s longer lyrics, such as “The Celebration of the Lizard” or “The Soft Parade.”

    Like

    • Thanks! The problem with or rock lyrics is that a) the copyright issues are thornier, and b) without the backing music, or at least a familiarity with the backing music, the lines set down on paper don’t generally have that internal rhythm or melody that poetry, almost by definition, must have.

      Like

  242. I myself paint a lot about this poem…

    Like

  243. jennifer howe says:

    This is wonderful. Thank you Someone else has already said: “how about “Sweeney Agonistes” and another has suggested Seamus Heaney. I second both of those and would add W.H. Auden, who has that pithy darkness. When will you publish? Please.

    Like

  244. Theodore Koulourid says:

    How beautiful. Congratulations

    Like

  245. Anonymous says:

    This is such a great idea. I am looking forward to the end product. I am so glad someone decided to do this. Next project: Saki’s short stories. If you haven’t read them, I recommend starting with “Tobermory” and “The Schartz-Metterklume Method.” I thought about doing this back in the ’80s when I was working in the comic book industry but it wasn’t the right time.

    Like

  246. Joakim Snygg says:

    Great work! Is it published somewhere?

    Like

  247. petermayer says:

    Superb work . . . for all ages/education/background. One minor suggestion [since you mentioned possibly revisiting what’s you’ve produced thus far]: perhaps add one or two pedestrians to the panel, “Let us go, Through half-deserted streets”

    Like

    • Thanks, That’s actually a great suggestion -provided the people were very far in the distance, to emphasize the sense of loneliness. Vaguely outlined passersby can actually add to depictions of loneliness, as demonstrated by Edvard Munch’s wonderful street scenes (not to mention “The Scream”).

      Like

      • Jake says:

        Yeah! Perfect!
        (And I second Anonymous’ suggestion, it was the only point where I felt a disconnect between the beautiful and haunting words and the beautiful and haunting images… truly a wonderful and moving work you have co-created here! Thank you!)

        Like

  248. g2-00e4f099bdd871255208913ae6c8e4a7 says:

    Beautiful. This brings to life one of my very favorite poems.

    Like

  249. Lisa Katherine Parker says:

    I wish I were a publisher, because I’d be knocking down your door with offers! I absolutely cannot wait until this is finished!

    Like

  250. William F. Touponce says:

    Wonderful! I would love to see how you visualize the last lines of this famous poem.

    Like

  251. Graeme Lindsay-Foot says:

    This is simply glorious. Thank you.

    Like

  252. Dave Roberts says:

    This is absolutely superb. You have visualised the poem almost exactly as I have seen it in my mind’s eye over the years. It should be published, there’s no real doubt of that.

    Like

  253. Wolfgang says:

    This is absolutely fantastic! Prufrock is one of my favorite poems and your rendition of it is beautiful. I have created multiple cabaret performance pieces off of this poem and I love seeing how others view it. I hope you are able to finish it and I will definitely purchase the finished product!

    Like

  254. usatad says:

    This is awesome work… Please continue… :)

    Like

  255. This is a wonderful adaptation of one of my favorite poems. I so hope you get to finish it!

    Like

  256. Shehzar Doja says:

    fantastic…please finish it…

    Like

  257. Saraswati Subbu says:

    JULIAN,what you’ve done so far is indescribably astounding!! never attempted earlier! can’t wait to see your illustrations for “I am Lazarus,come from the dead” and “a magic lantern threw the nerves in patterns on a screen”!! after completing your work for this poem, why not embark on GERONTION and SWEENEY AMONG THE NIGHTINGALES?? it’ll be mind blowing! publishers galore will knock at your door. give it some thought,JULIAN. it’s well worth an attempt. best wishes,Saraswati Subbu

    Like

  258. Terry Beatty says:

    Beautiful drawing — I especially like the character work — great poses, expressions, gestures. etc. Looking forward to seeing the finished piece. There has to be a publisher out there smart enough to pick this up.

    Like

  259. Have always loved the poem and now I love this!

    Like

  260. Krip Yuson says:

    Thank you so much, Julian. Terrific work. Many of us here in the Philippines are also pleasured by Eliot, and most especially his Prufrock. Do finish it please. When it becomes a book, it will have a large audience here. And it will certainly set a precedent for other long poems that lend themselves to graphic stylization. Tons of sunshine vibes to you, Julian! :-)

    Like

  261. Anonymous says:

    I also vote for kickstarter! Would love to see you be able to finish this.

    Like

  262. taposhree says:

    This is amazing! Loved it

    Like

  263. Debkumar says:

    Hi, first congratulations for your beautiful work. I chanced upon your from a Facebook reference and what I saw is simply astounding. I have, without your permission though, shared the link with a commissioning editor at Penguin, hope that is okay with you. All the best

    Like

  264. Theophi Kwek says:

    please finish this!

    Like

  265. Tanya says:

    Start a kickstarter if you need to. I would pay good money for this beautiful art.

    I really want folks to share this on Facebook and let out go viral till a publisher takes it up.

    I will order multiple copies for my library.

    Like

  266. Thanks, my high school honors class will certainly dig this!

    Like

  267. Toy Llaguno says:

    The drawing are beautiful,even without the poem which reads like an advertising copy.

    Like

    • Like advertising copy?! That’s an interesting take. How do you mean?

      Like

      • Toy Llaguno says:

        …. the twomen come and go talking of Michelangelo/etherized on a table/prufrock/ …these upperclass blaseness..why on earth would those women talk about Michelangelo? Please.haha do you hav a Seamus Heaney one?I haven’t looked but that would be interesting,if you can paraphrase this poet through ur comely drawings.thanks.

        Like

        • In this poem, written in 1915, Eliot almost single-handedly invented the modernist poetic movement.
          The line in which the evening is “spread out against the sky / like a patient etherised upon a table” would have infuriated some readers back then, fascinated others, and I would argue it continues to confuse us today. After all, what does it mean? What is it selling?
          Anyway, there was no such thing as “advertising copy,” really, when he wrote it so I guess it’s a kind of compliment.

          Like

        • Anonymous says:

          The ‘talk of Michelangelo’,means they are discussing the perfect male specimen; a reference to Michelangelo’s ‘David’.

          Like

  268. This is stunning so far. I’m hardly artistic, but I’ve been memorizing Prufrock lately, so I’ve come to know the lines fairly well. And you’ve captured them truly and beautifully. I hope this will be available for purchase. I want two copies…one to frame, and one to carry around in my purse. Well done!

    Like

  269. Melissa Rudder says:

    I adore this. Beautiful, thoughtful illustrations. It’s one of my favorite poems, and your style complements it so well that I read it with fresh eyes. I would happily give good money for a copy of the finished book (to share with my high school students) and for prints of key pages or scenes to frame. I will follow your work closely for the opportunity. :)

    Like

  270. Joshua Lupkin says:

    Please email me when this is available, I want to get it for my institutional library. jlupkin (at) tulane (dot) e du

    Like

  271. Pam says:

    Love this! I do hope you will finish this!

    Like

  272. Dudley Stone says:

    Great work! I recently produced an evening of T.S. Eliot at the Mid-Manhatttan Library on 5th Avenue in New York City. I urge you to complete this fine work.

    Dudley Stone
    Artistic Director, Triangle Theatre

    Like

  273. As a child I heard this poem and then read it time and time again; it has stayed with me throughout my life and meant so many different things to me at different times. This is a beautifully illustrated rendering of it. Thank you for it. x

    Like

  274. Shamik Bhattacharya says:

    Flabbergasted…the love song is still ringing :-)

    Like

  275. Russell Berman says:

    Congratulations. Great work. Are you really looking for a publisher?

    Like

  276. Nick Vittum says:

    Lovely. Eager to see the rest. For
    we have lingered in the chambers of the sea
    by sea-girls wreathed with seaweed red and brown
    till human voices wake us, and we drown

    Like

  277. Marsha Howard says:

    I zipped through the comments so don’t know if anyone else has mentioned this. Your work is an amazing way to introduce younger readers–teens–to a poem like Prufrock. They adore graphic novels. The poem is sufficiently accessible (which I know is a dirty word in the world of poetry). And it’s really just brilliant. Please hold out for a published book, not a chapbook. I’m a retired (New York Public Library) librarian and collection developer, so take my word for it…

    Like

  278. Katherine says:

    beautiful and moving

    Like

  279. Ahona says:

    This is intensely beautiful, I’ve often wandered whether 20th century poetry can be converted into the graphic novel format? And you’ve answered my question, it IS possible to render those exquisite fragments and epiphanies of Modernism into poignant yet sublime images. I would love to see more of this!

    Like

  280. Eugenia Kim says:

    Wunnerful. Wunnerful. Wunnerful

    Like

  281. Santiago says:

    I would like to have prints of some of your illustrations. They are terrific. How can I get them?

    Like

  282. Dhaibat Mukherjee says:

    Simply superb.Looking forward to the rest of the comics.This will definitely help me while studying “The Love Song of J.Alfred Prufrog”.Thanks.

    Like

  283. ghetu says:

    I am a fan, Julian! You are a chosen soul, please make this world more beautiful!

    Like

  284. Christine Frank Fuentes says:

    The flow of the visualization pulled me along. I remembered learning to like poetry a long time ago when a high school English teacher taught us to read poetry as spoken, rather than stiffly dramatized (don’t know if that makes sense…). Anyway, lovely – please continue – and I believe you would have a market for this type of work in the schools

    Like

  285. Jean-Pierre Metereau says:

    Beautiful. I can’t wait to teach this poem again, now that your art has made it accessible to people who would have to be told how to appreciate the poem.

    Like

  286. Dana says:

    fantastic! I will love to use this as a teaching tool for Prufrock with my poetry undergrads. Thanks for this!

    Like

  287. helenvitoria says:

    This is truly outstanding work! Consider submitting this (when finished) to Thrush Press we publish chapbooks and would love to work with you on this! Visit our website for further information. Please consider contacting us! http://www.thrushpress.com

    Like

  288. George Franklin says:

    Great work! Eliot would have loved this. I look forward to reading the rest.

    Like

  289. This is truly outstanding work! Consider submitting this (when finished) to Thrush Press we publish chapbooks and would love to work with you on this! Visit our website for further information. Please consider contacting us! http://www.thrushpress.com

    Like

  290. shovonc says:

    The reason I love blogging is because I come across blogs like yours.

    Like

  291. ankitasame says:

    The way you visualize the lines is brilliantly imaginative. It takes the poem to another level. Would love to see it in its entirety.

    Like

  292. ankita says:

    the way you visualize the lines is brilliant. Speaks highly of your imaginative capability. Would love to see it in its entirety.

    Like

  293. Himanshi says:

    This is really amazing.
    Your image for “the patient etherized upon a table” is so brilliant that I can’t not think of it when I read the poem again. Good work! Please finish it, I’m really looking forward to what you’d do with the last paragraph. The mermaids! :)

    Like

  294. Okay, *that* was just beautiful. I didn’t think it was possible for the experience of reading The Love Song to get any better than it already was, every single time. You just managed that, for me. Please do finish the whole thing when you’re able to!

    Like

  295. Arundhati says:

    Great work really. This is my favourite poem… and now, I look forward to the rest….

    Like

  296. Alison B. says:

    Kickstarter really works! I’d give it a try. I’d love to see more. So very beautiful and moving. I was just transported. Thank you!

    Like

  297. dhoopkinaray says:

    This is amazingly creative. A-MA-ZING!

    Like

  298. Wes Civilz says:

    I love it! I love the fact that you made the main character look like Eliot (or be Eliot). I always see him as the main character when I read the poem. Eagerly awaiting the rest…coffee spoons, arms downed with light brown hair, mermaids… :)

    Like

  299. Outstanding work. It really brings the poem to life and will undoubtedly introduce a new set of readers to it. Looking forward to more

    Like

  300. Adhiraj Sarin says:

    Loved it. My all time favourite poem.
    The imagery of “the yellow fog ……” Is that of a cat. Wish the fog were hunched and falling off the window panes.

    Like

    • I tried to give the fog a cat-like movement (and cat eyes), but I’m not altogether satisfied with it. The fog should be swirlier and slinkier. I might re-do that page at some point, but then, if I start going down that road, I’ll eventually want to redraw everything.

      Like

  301. Ray says:

    Awesome! Beautiful and haunting. Can’t wait to see the rest!

    Like

  302. Luke Heister says:

    Glad to see such demand for more of this. A Modernist page I subscribe to gave a link today, and I think the work is brilliant. I have seriously pursued ink illustration before, but now I’m a grad student focusing on Joyce. This is making me want to try interpreting some poems in illustrated form. I’m also thinking of giving it as a writing assignment to students to see writing from another perspective. I echo the others, and I know you want to finish this. I hope it happens and that you take on other works as well.

    Like

  303. Darwin Holder says:

    What a wonderful job! This is amazing. I read Prufrock for the first time over thirty years ago, and your iterpretation is spot on. I would buy it in a heartbeat. I hope you find time and inspiration to finish.

    Like

  304. Kara says:

    Have you considered a crowd funding site like Kickstarter? You could self-publish. It’s so beautiful I’d love to have a copy, and I’d be happy to pay for the chance to help…

    Like

    • Thanks for the idea, Kara. I’ll look into it. It’s more time that I’m missing at the moment, but then it’s really true that time is money. And maybe such a campaign would attract more attention to the piece, including that of a potential publisher.

      Like

  305. Kristine says:

    Love this! I’m an ex-illustrator (got tired of freelance) and habe written papers on this poem! Was fantastic to see it from an artists eye!

    Like

  306. This is lovely, and I can’t wait to see the finished product!

    Like

  307. Thank you for all these words of encouragement, which I was much in need of. I was in fact planning on starting to finish this work in earnest early in the coming year. I think I have finally figured out how to draw “I have measured out my life with coffee spoons,” which was a bit of a stumbling block. Stay tuned!

    Like

  308. salil61 says:

    Is this out in a book form yet? It is outstanding!

    Like

  309. April says:

    I would buy a copy of the completed version of this. I love it. I LOVE IT!

    Like

  310. Pam says:

    Can’t even tell you how much I love this–I will definitely be using it the next time I teach this poem.

    Like

  311. avishekparui says:

    There will be time, there will be time
    To finish this great work of art that you’ve commenced. SO looking forward to seeing your sketch of the Prince Hamlet not meant to be!

    Like

  312. Megagravyboy says:

    Beautiful work. You must finish your comic in the same way that Eliot needed to finish his poem. Then it will have its own life and will find its place in communication and art. Thank you!

    Like

  313. Jenn B says:

    This is amazing and would be an excellent tool for teaching this poem! Well worth finishing!

    Like

  314. Sur Back says:

    This is so beautiful I cannot even describe it. I would love a copy, this is my favorite poem of all time

    Like

  315. Germaine Warkentin says:

    Yes, please do finish — I think it’s great!

    Like

  316. Palvashay says:

    You need to finish this soon, this is fantastic!

    Like

  317. holynose says:

    With a bald spot in the middle of my head, ….couldnt have done it better, lovely work

    Like

  318. Claire says:

    I would buy this. I would buy this 3 times.

    Like

  319. Bill says:

    Congratulations and thank you for this lovely work. Looking forward to seeing the rest of it!
    If you’re still keen for more when you’re done, try giving Prufrock’s Pervigilium a go. Equally vivid imagery – just a lot darker.
    You can read it at: http://www.usask.ca/english/prufrock/pervig.htm

    Like

    • Wow! Thanks for letting me know about this. I had no idea. It certainly might be worth including this insert in my finished Prufrock comic, also because perhaps then it would make the thing long enough to publish as a stand alone book.

      Like

  320. Kathleen says:

    This is great. Thank you for posting.

    Like

  321. Liz says:

    Hello, I love you (by which I mostly mean this). That is all.

    Like

  322. Savannah says:

    Please, please, please finish this!

    Like

  323. Finish the project! I like what you’re doing a lot. My students are studying this poem right now. Any guesses about the meaning of the crab and the mermaids?

    Like

    • OK OK! Some day soon! I promise! One of the good things about illustrating poetry is that you don’t have to really figure out what the text is actually about; you just try to capture the vague images that it conjures up in your head. I think we spend too much time trying to derive meaning out of poetry anyway, rather than just enjoying it for its sensual qualities. Still, such speculation can be amusing: I suppose the crab scuttling about at the bottom of the sea could represent the kind of completely anti-social existence that Prufrock feels his temperament would be better suited to (who hasn’t felt that way at one time or another?). As for the mermaids, I always took them to represent an idealized romantic love, always out of reach, that the protagonist daydreams about.

      Like

      • Mikail says:

        Knowing Eliot’s biography, the mermaids are perhaps better thought of as sirens (as representative of women in general). The sirens are both alluring and dangerous. Eliot’s own views on and attitude towards women was distasteful at best. His treatment of his first wife was hardly romantic. The final tercet shows (on this interpretation) that Prufrock (and all men: “we”) have wasted our time chasing “sea-girls.”

        Like

  324. Christopher says:

    Stumbled upon this will prepping for a class project. This is fantastic work. I would LOVE to see the rest of your interpretation of this piece.

    Like

  325. Pingback: Arthur proofrock | 4lufarm

  326. Alessandra says:

    Amazing art, Julian. I do hope you feel motivated to finish it.

    Like

  327. Ingrid says:

    Genius. Please, finish. A+ art and concept.

    Like

  328. Bobbi Hinsch says:

    Absolute Gorgeous Work!! I really would be interested to see it in it’s entirety!!

    Like

  329. Cristina says:

    Julian this is awesome. Please post the rest. I’m astonished by the power of your art.

    Like

    • Thank you, Cristina; I really appreciate you saying that. Unfortunately the nine pages of Prufrock I have up are the only ones I have created thus far. I will happily finish the comic if ever someone expresses an interest in publishing it. I have most of the images for the rest of the poem worked out in my head. I also think I might like to redraw some of the faces of the protagonist. I was trying to make him look like a young Eliot, but I think I could have done a better job in a few instances.

      Like

  330. G says:

    Great work, the art is beautiful.

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s